What Oscars did Everything Everywhere win? The multiverse was a major hit at the 95th Academy Awards on Sunday night (March 12). The genre-twisting science fiction film “Everything Everywhere All At Once” swept most of the major categories, winning Oscars for Best Picture, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, Editing and Best Original Screenplay.
“Everything Everywhere All At Once” is a refreshing romp into multiverse madness, a domain mainly inhabited by the Marvel Cinematic Universe of late, but here the interdimensional fun was employed to tell the ingenious tale of an Asian-American immigrant who learns that her destiny lies in saving the fate of the universe.
What Oscars did Everything Everywhere win?
Everything Everywhere All at Once won 7 Oscars at the 95th Academy Awards on March 12, 2023:
- Best Picture
- Best Actress for Michelle Yeoh
- Best Supporting Actor for Ke Huy Quan
- Best Supporting Actress for Jamie Lee Curtis
- Best Film Editing
- Best Original Screenplay for Daniel Kwan and Daniel Scheinert
- Best Costume Design
The film is a 2022 American science fiction action comedy film written and directed by Daniel Kwan and Daniel Scheinert (collectively known as the Daniels), who also produced with Jonathan Wang. It stars Michelle Yeoh as Evelyn Quan Wang, a Chinese-American laundromat owner who is swept up in an adventure through the multiverse. The ensemble cast includes Stephanie Hsu, Ke Huy Quan, James Hong, Jenny Slate, Harry Shum Jr., and Jamie Lee Curtis.
The film was a critical and commercial success, grossing over $236 million worldwide against a production budget of $25 million. It was praised for its innovative visuals, humor, and performances, particularly Yeoh’s. The film was also a box office success, grossing over $236 million worldwide against a production budget of $25 million.
The film’s seven wins at the 95th Academy Awards made it the most awarded film of the ceremony. It also tied with CODA for the most wins in the category of Best Picture.
It has won the most above-the-line Oscars ever
We said this could happen, and it did. “Everything Everywhere” is the first movie to win six above-the-line Oscars: Best Picture, Best Director for Daniel Kwan and Daniel Scheinert, Best Actress for Michelle Yeoh, Best Supporting Actor for Ke Huy Quan, Best Supporting Actress for Jamie Lee Curtis, and Best Original Screenplay for the Daniels. The previous record was five, held by the three films who’ve swept the Big Five, “It Happened One Night” (1934), “One Flew Over the Cuckoo’s Nest” (1976) and “The Silence of the Lambs” (1991).
It’s the first film to win three acting awards, Best Picture and Best Director
Two films have taken home three acting Oscars — “A Streetcar Named Desire” (1951) and “Network” (1976) — but neither won Best Picture or Best Director. “Everything Everywhere” had been secure in those two categories for a while, so it was a matter of figuring out how many acting statuettes it would claim, especially after it scored a record-setting three individual Screen Actors Guild Awards for Yeoh, Quan and Curtis.
It made sense to question whether it could pull off this rare acting hat trick at the Oscars, but it turned out “Everything Everywhere” was unstoppable and it would just be a copy-and-paste job. It’s also the first Best Picture winner to earn more than one acting Oscar since “Million Dollar Baby” (2004).
It’s the winningest Best Picture champ in the preferential ballot era
“Everything Everywhere” also won Best Film Editing to bring its Oscar total to seven — the most by a Best Picture champ since the Best Picture lineup was expanded 13 years ago. “The Hurt Locker” (2009) won six in the first year of the preferential ballot, but since then, sweeps by Best Picture winners have been uncommon.
Before “Everything Everywhere,” no Best Picture winner had snagged more than four trophies since “The Artist” (2011), which received five. Tech-heavy films like “Gravity” (2013), which won seven Oscars, “Mad Max: Fury Road” (2016) and “Dune” (2021) have swept below the line, but none won Best Picture. “Everything Everywhere’s” seven awards are also the most by a Best Picture winner since “Slumdog Millionaire” (2008) grabbed eight in the final year of the Best Picture field of five.
It has the earliest release date for a Best Picture winner since “The Silence of the Lambs”
“Everything Everywhere” premiered at the South by Southwest Festival on March 11, 2022, one year and one day before its Oscar stomp, and hit theaters on March 25. “The Silence of the Lambs” was released on Feb. 14, 1991, and cleaned up at the Oscars on March 30, 1992. The final quarter of the calendar year is the popular release window for Oscar hopefuls — usually after hitting a fall festival — but “Everything Everywhere” for sure benefited from the longer lead time as its buzz and fan base grew over the rest of 2022.
It is the first film to win Best Actress and a writing award in 24 years
We all know the infrequency with which Best Picture and Best Actress line up — “Nomadland” (2020) finally pulled it off, 16 years after “Million Dollar Baby” last did it — but before Sunday, the last film to win Best Actress and a screenplay award was 1998’s “Shakespeare in Love.” And since there are two writing categories, it doesn’t exactly look great that it’s been so long.
It is the first Best Picture winner led by a woman of color
There have been Best Picture winners with POC-fronted casts before, including “Slumdog Millionaire,” “12 Years a Slave” (2013) “Moonlight” (2016) and “Parasite” (2019), but this is the first time with a sole WOC lead. This is also the third consecutive year that the Best Picture winner was headlined by a woman after “Nomadland” and “CODA.”
Yeoh is the first Asian Best Actress winner
Yeoh is, of course, also the second woman of color to win the category after Halle Berry, who prevailed 21 years ago for “Monster’s Ball.” With Yuh-Jung Youn having won Best Supporting Actress for 2020’s “Minari,” there have been more Asian actresses who have won Oscars in the last three ceremonies than there had been in Oscar history prior to that (just one, Best Supporting Actress winner Miyoshi Umeki for 1957’s “Sayonara”).
This is the first time multiple actors of Asian descent have won Oscars in the same year
Quan is the second Asian Best Supporting Actor winner after Haing S. Ngor, who won for “The Killing Fields,” which was released the same year, 1984, that Quan made his film debut in “Indiana Jones and the Temple of Doom.” There was a record number of Asian performers nominated this year, with “Everything Everywhere’s” Stephanie Hsu and “The Whale’s” Hong Chau also nominated in Best Supporting Actress.
Has Everything Everywhere All at Once won any awards?
Yes, Everything Everywhere All at Once has won many awards, including:
- Academy Awards: 7 wins, including Best Picture, Best Actress for Michelle Yeoh, Best Supporting Actor for Ke Huy Quan, Best Supporting Actress for Jamie Lee Curtis, Best Film Editing, Best Original Screenplay for Daniel Kwan and Daniel Scheinert, and Best Costume Design.
- Golden Globe Awards: 3 nominations, including Best Motion Picture – Musical or Comedy, Best Actress – Motion Picture Musical or Comedy for Michelle Yeoh, and Best Supporting Actor – Motion Picture for Ke Huy Quan.
- Critics’ Choice Awards: 11 nominations, including Best Picture, Best Director for Daniel Kwan and Daniel Scheinert, Best Actress for Michelle Yeoh, Best Supporting Actor for Ke Huy Quan, Best Supporting Actress for Jamie Lee Curtis, Best Original Screenplay for Daniel Kwan and Daniel Scheinert, and Best Editing.
- BAFTA Awards: 6 nominations, including Best Film, Best Director for Daniel Kwan and Daniel Scheinert, Best Actress for Michelle Yeoh, Best Supporting Actor for Ke Huy Quan, Best Supporting Actress for Jamie Lee Curtis, and Best Original Screenplay for Daniel Kwan and Daniel Scheinert.
The film has also won numerous awards from film festivals around the world, including the Golden Lion at the Venice Film Festival, the Toronto International Film Festival People’s Choice Award, and the Los Angeles Film Critics Association Award for Best Picture.
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